Cover image to Weird Tales from the Island City, "Eclipse" by Gerardo Silva, showing a cosmic mermaid holding an eyeball that is an expanding universe, surrounding by cosmic sea creatures

Weird Tales From The Island City by Matt Wingett – Now Available To Order

Weird Tales From The Island City by Matt Wingett, a collection of 9 Strange Portsmouth Stories is now available to order, here.

This collection of stories includes 7 short stories plus 2 novellas, and includes works not previously collected, as well as stories from Portsmouth Fairy Tales for Grown-Ups and Day of the Dead.

A mixture of fantasy, comedy, dark writing and fable, the stories are all rooted in Portsmouth.

The cover artwork “Eclipse” is by Gerardo Silva, a Portsmouth-based artist.

Weird Tales From The Island City is available in both paperback and hardback issues.

Review: England’s Witchcraft Trials, by Willow Winsham

As a publisher, we’re always interested in seeing what great work other writers and publishers are doing – especially in the realm of the strange, of the historical and of folk horror. In a recent exchange on twitter, author Matt Wingett got to find out about Willow Winsham’s excellent book England’s Witchcraft Trials. Here’s a review of this fascinating work.

Whether you’re a believer in the possibility of witchcraft, a student of history, a witch yourself or an out-and-out sceptic of all things supernatural, Willow Winsham’s fascinating account of the persecution of witches during the British period of the European Witch Mania of the late Middle Ages and early modern period has numerous lessons to teach.

The Witchcraft Act was passed in England in 1566, and over the following 100 years or so saw the execution of 450 people, mainly women. Willow takes five of the more notorious cases and examines them closely.

In many ways, the stories are distressingly similar: A member of the community is taken ill. Doctors advise that because they can’t find a cure, there must be a supernatural element to the sickness, or a member of the community suspects that is the case. Suspicions are raised against an individual who is usually an outsider or in some way disliked by the community – and suddenly witch mania catches light, numerous other women are found to be in league with the first accused, and a nefarious and apparently rather pointless plot by the devil to spread misery on earth is discovered.

From here, a trial relying on circumstantial evidence pulling suspiciously similar confessions from simple countrywomen who have either been terrified into co-operation, or promised leniency, ends in the witches being found guilty before an outraged, astonished and fearful community. After this the poor objects of community wrath are almost invariably executed.

Reading this book is in many ways an object lesson in how a set of pre-existing beliefs will shape the outcome of an investigation. Even with the distance of 400 years, it is both frustrating and distressing to see the benighted attitudes of those dispensing justice, and the apparent willingness of women and men to condemn themselves out of their own mouths.

With careful attention to court documents, pamphlets, parish registers and other resources, Willow Winsham has recreated those times with extraordinary power. There were moments when reading this book that I felt I couldn’t go on, I was so frustrated with the testimony being shaped by the interrogators as they sought to bring their supposed witches to the gallows.

At times, the motives of some accusers stand out as utterly baffling. The daughters of women accused of witchcraft level lurid accusations against their own mothers. Children supposedly cursed by a witch clearly derive sadistic pleasure from their deadly game of feigning illness in the accused’s presence, despite the accused pleading otherwise and utterly baffled by the disaster engulfing her.

At other times, the behaviour of the accused witches is equally puzzling to the modern mind. Why would a woman admit to having sex with the devil, to suckling demons through unnatural teats, of making “pictures” (poppets or models) of their victims into which they drive pins, of keeping demon familiars and attending a coven? Thus, while the stories unfold with fascinating detail, one is left wondering at the psychological state of all involved, and at the sense of fatalism that must have overcome the accused witches, who thus resigned themselves to being the projection board for all the fears and prejudices of a court that was anything but unbiased.

It is true that some of the witches had already built themselves reputations for having powers that brought locals to them in times of need. But what really comes through is these poor women’s ignorance of the bigger picture and precedence in other parts of the country, as they enter into a deadly game of firstly denial and then confession – perhaps hoping to bring the ordeal to a close and protect other members of their family.

This last invariably proves a forlorn hope. Since witchcraft was viewed as akin to a disease or hereditary illness that must infect other family members and friends, the accusations spread wider and wider still, rippling out across the community. Clearly, the whole phenomenon was used by those seeking to scapegoat others, settle old scores or in the misguided belief they were doing the work of God. Whatever the motives, the gallows awaited at the end of these true-life calamities.

The five well documented accounts here told include two of the most famous names in the history of English witchcraft. Those are, firstly, the village of Pendle in which a genuine witch-hysteria appears to break out, abetted by rivalries between two families of traditional healers; and secondly, the name of the infamous witchfinder Matthew Hopkins.

The real attraction in all these accounts is the way Willow doesn’t sensationalise them. She pushes past later retellings and dramatisations of the events to relate as accurately as she can the true stories of the (mostly) women accused, the behaviour of their tormentors and accusers, the accused’s own sinking sense of losing control of events and at times a fatalist acceptance of what is going to happen to them.

Because of the long gap in time between then and now, there are countless questions left unanswered. The psychological motives of the accusers and the accused, the set of cultural circumstances that could even lead to this persecution arising, the acceptance by many of what the modern mind knows does not even meet the most basic tests for evidence, what actually went on between witchfinders and their victims, the secret deals the witches thought they might be making, the lack of good faith on the part of the courts… There is much drama in this book, and it is well worth a delve.

England’s Witchcraft Trials by Willow Winsham is available from Pen And Sword Books www.pen-and-sword.co.uk for £12.99, and from all good retailers, including Amazon. ISBN 9781473870949.

New Release – The Hound of the Baskervilles First Edition Poster, up to A2 size.

The iconic cover of the first edition of The Hound of the Baskervilles, the famous Sherlock Holmes novel by Sir Arthur Conan Doyle is now available as a poster up to A2 size.

Arthur Conan Doyle created Sherlock Holmes while he was working as a doctor in Southsea, a suburb of Portsmouth. Now, Southsea-based author Matt Wingett has faithfully redrawn the cover to enable fans of Holmes to enjoy the image in a brand new, sharply produced image to go on your wall.

“The original image was embossed in gilt on cloth,” says Matt. “This means getting a high quality image was difficult, since the grain of the cloth interfered with the shapes in the design. That’s why I decided to completely redraw it, staying totally faithful to the original.”

Matt says reproducing it in this way has given him a fresh appreciation of the design’s subtlety.

“The image of the great hound with the moon behind him is striking, but more puzzling to me was the interlacing gilt beneath the image. When I paid more attention to its organic shapes hidden beneath the ground, with with one shoot striking upwards out of the black earth, I realised how the design symbolised the hidden tangle of deceit that really lies beneath the legend of the Black Hound of Dartmoor, that in the novel haunts the Baskervilles. I really came to love this image, with its question marks in circles on either side.”

Matt took several weeks to get the image right. “I’m proud of the new image,” says Matt. “And of course, it will be sent from Southsea, from my home, which is just half a mile from where Conan Doyle created Holmes. It’s a great honour to be associated with the author, even in such a small way.”

Matt has also written an account of Conan Doyle’s Spiritualist beliefs, as well as reprinting the Beeton’s Christmas Annual 1887, which included A Study In Scarlet – the first appearance of Holmes – written while Doyle was in Southsea.

The Hound of the Baskervilles poster costs £5 in A4, £10 in A3 and £25 in A2. Shipping is worldwide, with postage free in the UK. Buy your copy here.

Mysteries of Portsmouth – true tales of the paranormal and unexplained in Portsmouth

Buy your copy of Mysteries of Portsmouth by Matt Wingett now

UFOs, ghosts, hauntings, sea-serpents, curses, fortune-telling and witchcraft – just some of the strange, bizarre and unexplained phenomena recorded in historical documents and newspaper reports over the centuries. Author Matt Wingett collects these tales and explores whether they are true or Fake News.

Prepare to meet the Pompey man who discovered the site of Tutankhamun’s tomb, the ghost of the beheaded Countess of Salisbury, the mysterious White Rabbit of Portsea, Spring-Heeled Jack, the first officially recognised UFO sightings in the UK and many more tales of the strange and unusual in this highly illustrated book packed with the mysterious, the bizarre and the quite possibly fraudulent! Includes inexplicable ghost stories as well as explanations of other newspaper reports.

A fabulous tour of the strange and bizarre in and around Portsmouth Town!

Buy your copy of Mysteries of Portsmouth, and have it delivered post free in the UK, now.

Thrills and Spills at The Snow Witch Launch

There were more thrills and spills than planned for at the launch for Matt Wingett’s The Snow Witch on the night of Saturday 28th October at Blackwell’s bookshop, Portsmouth as part of the Portsmouth Darkest season.

Thrills came in the form of Eilis Philips’ singing and guitar playing. Her extraordinary clear and powerful voice cast a spell on the audience that set the tone for an evening dedicated to Wingett’s magic realist story that is set in Portsmouth. Eilis’s first song of the night, also called The Snow Witch, was directly inspired by Matt’s novel, with a haunting melody backed with icy chords on the guitar that caught the mood of the novel brilliantly.

Two readings from the novel were given by Matt, and Eilis treated the audience to another song before a break for book signing.

Spills came when Dr Karl Bell, Darkfest organiser and co-host of the evening, slipped from the stage on his chair, sending him in a slow motion backward somersault to the gasps of the audience. Dr Bell recovered his poise with humour and grace, and, like a trouper, the show went on.

Despite the impromptu acrobatics, the Q and A session was lively, covering questions as varied as the use of myth in storytelling, symbolism in the novel and why Portsmouth is a fascinating place for telling tales. With ironic humour, Matt and an audience member penned a new slogan for the city: “Portsmouth, not as sh*t as you think,” which raised a laugh all round.

Bookshop manager Jo West was on hand to help the evening go with ease, where many people bought multiple copies of the book, while others who had received preview copies described how compelling the story is.

The evening was also enriched on this Hallowe’en weekend by audience members arriving in wonderful outfits that reflected the Darkfest theme.

A great evening, and thanks to all concerned.

The Snow Witch is available in paperback and hardback from Blackwell’s Bookshop, and from the shop on this website.

No doctors were harmed in the launching of this book.

Line-up for Portsmouth’s Holmes Fest 2017 Announced

Conan Doyle revisiting the site of his surgery, No 1 Bush Villas, Elm Grove, in 1911 – by then a corset shop! (courtesy of the Conan Doyle Encyclopedia https://www.arthur-conan-doyle.com/)

 

10 brilliantly talented storytellers will be joined by musicians, a projectionist and a duellist on Wednesday 28th June at the Square Tower to celebrate Arthur Conan Doyle’s life in Portsmouth.

The writers who will be regaling us with their stories include internationally published authors of Victorian crime fiction, local authors with a knack for spinning the perfect yarn and song writers, too.

The story tellers are:

  • William George Sutton – creator of the Campbell Lawless series of crime novels
  • Diana Bretherick – doctor of criminology and author of City of Devils and The Devil’s Daughters
  • Tony Noon – experienced storyteller well-known for his appearances at the Square Tower’s Day of the Dead event
  • Justin MacCormack – prolific author across genres, with a wicked sense of humour and a sense of the creepy
  • Christine Lawrence – author of Caught In The Web, with a unique brand of story-telling
  • Alan Morris – joyous performer who loves to dress up in Victorian gear and regale us with something unexpected
  • Zella Compton – playwright, short story writer, News columnist and children’s novelist
  • Charlotte Comley – organiser of Lovedean Writers’ Group and one of the funniest, wryest and most brilliant tale tellers in the south.
  • Amanda Garrie – smooth deliverer of intriguing tales.

Find out more about the musicians and the duellists, soon.

Tickets are selling – snaffle your seats at Holmes Fest now!

 

Arthur Conan Doyle and the vicar of St Jude’s, Southsea

Southsea – St Jude’s Church and Vicarage

In his book A Study In Southsea, Geoffrey Stavert traces Arthur Conan Doyle’s life in the seaside town, partially through Doyle’s fictionalised account of Southsea life in his novel The Stark Munro letters. His real-life surgery at No. 1 Bush Villas, was renamed “Oakley Villas”, while St Jude’s was newly Christened “St. Joseph’s”. Stavert writes:

At “Elmwood”, a pleasantly commodious Thomas Owen house situated just off Elm Grove between Grove Road South and the Woodpath (on part of the site now occupied by Telephone House), with lawns and hedges on three sides, lived the Reverend Charles Russell Tompkins, a curate of St Jude’s Church, Southsea. Not content with a wife and seven daughters to minister to his creature comforts, the Rev. Tompkins also maintained a cook, a housemaid and a nurse. It sounds as if St. Jude’s was a comfortable parish in 1883.

I suspect the Rev. Tompkins was the original of the un-named “High Church Curate of St. Joseph’s” whose encounter with the new tenant of Oakley Villas is described in The Stark Munro Letters. The curate had been one of the first to call after the new doctor had put up his plate, with high hopes of welcoming him to the flock, and had been considerably taken aback when he was firmly told that the doctor had no intention of becoming a regular attender at his church or any other…

Come and celebrate Conan Doyle’s life in Portsmouth at Holmes Fest on 28th June 2017 at The Square Tower, Old Portsmouth. Tickets are selling, so book your seat here before it’s too late. https://www.wegottickets.com/event/401304