Holmes Fest Banner, featuring silhouette of Sherlock Holmes in deerstalker smoking a pipe

Holmes Fest returns to Portsmouth after 6 year absence!

Holmes Fest – a celebration of the life and times of Arthur Conan Doyle’s life in Portsmouth and his greatest creation, Sherlock Holmes is back after a six year absence.

As part of Portsmouth’s Bookfest, Holmes Fest draws together Portsmouth writers, actors, musicians and artists in a night of fun entertainment. And there will even be an appearance by Mark Wingett, star of ITV’s The Bill in which he played modern detective Jim Carver.

Picture of Mark Wingett in black glasses, open necked shirt and waistcoat
Mark Wingett will appear in the Holmes Fest 2024

Matt Wingett, Mark’s brother and the show’s organiser and compere, says: “Arthur Conan Doyle created Sherlock Holmes while he lived as a doctor in Portsmouth’s seaside resort of Southsea as a young man between 1882 and 1890. It’s true to say it all happened for him in Portsmouth. He arrived with just £10 in his pocket and left eight years later having created the world’s most famous detective, written several other novels, married and with his first daughter, Mary Louise. From being an obscure GP in a seaside town, he was on the verge of international fame and riches.”

Holmes Fest will recreate some of the Victorian music hall feel – but with a focus on Sherlock Holmes’s creator. And for those who want to join in the fun more by dressing for the occasion – there will be a special prize for the Best Dressed Victorian!

Matt Parson's and Janet Ayers appear as Hudson and LeStrade. A Victorian male singer stands singing, while a woman has her fingers in her ears, grimacing.
Music Hall duo Hudson and LeStrade will be played by Matt Parsons and Janet Ayers.

Local acts will perform original works, all in some way connected to Conan Doyle’s life and writing. We will meet a disgruntled Mrs Hudson played by local author Christine Lawrence, rap poet Jackson Davies performing a piece about Conan Doyle’s life in Southsea, a comedy radio play by The BBC Holmes Service (Nick Downes, David Penrose, Vin Adams), melodrama based on true events around a duel in the town performed by the Gosport Steampunk Society (Stuart Markham et al), the Holmes Fest anthem performed by musicians Hudson and LeStrade (Matt Parsons and Janet Ayers) and actors Jonathan Fost and Mark Wingett joining in the fun.

And who knows? – There may also be an appearance by Sherlock Holmes himself!

Books about Arthur Conan Doyle’s life in Portsmouth will be avaiable on the night, as well as a stall run by Portsmouth City Council’s archivist Mike Gunton, who will be free to talk about the massive Conan Doyle Archive owned by the council. There will also be Conan Doyle-related works of art for sale – including dinosaur eggs inspired by Arthur Conan Doyle’s novel The Lost World.

Drinks and nibbles will also be availbe from the bar.

“It’s going to be great fun,” says Matt Wingett. “We’d love to see you there!”

Holmes Fest will take place in The Square Tower, Broad Street, Old Portsmouth, doors open at 7pm on Sunday 18th February. Tickets cost £15 and are available here from eventbrite, here: https://bit.ly/HolmesFest2024

Death of a bookshop – Adelphi Books, Portsmouth

It is a sad coincidence that exactly a week after I retweeted the Petersfield Bookshop’s forlorn tweet about making no sales, I found myself invited to attend a wake for another bookshop.

Adelphi Books in Albert Road, Portsmouth, was part of the furniture for the last 32 years, run by a friendly, helpful and always kind bookdealer, Rob Smith. I’ve been buying books from Rob for at least 25 years – probably for longer.

Rob has always been a very honest and straight dealer. Little things remind me of the way he operates. Once, miscalculating an amount and overcharging me by 50 pence, he went out of his way to message me and let me know his mistake.

Bookdealer Rob Smith, picture courtesy of Portsmouth News, www.portsmouth.co.uk

His specialism was, and still is (despite the fact that his shop is now closed), crime fiction from the 1920s onwards, as well as film books, but his shop also dealt in general fiction and non-fiction, with a strong local interest section.

It was a small single room with rows of shelves and bookcases in one of the Victorian units on Albert Road – Portsmouth’s street of unusual shops run by independent traders who have defied the corporate yoke and are still free-minded enough to stay fiercely self-reliant.

In an increasingly corporate world, it’s a tough job.

I’ve seen Adelphi Books go through dark moments in the past. Of course, because of their nature as one-man-bands, such owner-run shops are often an extension of the inner life of the vendor.

I know from personal experience that one danger of running a secondhand business is the frisson that comes from buying a bargain – and how it can be used to offset bigger problems. One can end up buying stock to fill the void in just the same way as food addicts bolt choccies or alcoholics drown their sorrows in whisky.

Thus, there was a period in the late ’90s in Adelphi Books’ history, when divorce and unhappiness at the death of a friend had settled in so badly that the stock level rose so high it was impossible to get through the front door. Books balanced in teetering piles threatening to overtop and crush unwary customers. Rob stood at the door, treading on books and not allowing anyone in in case they also trod on the books.

This bleak time for Rob was thankfully short-lived.

Friends and family stepped in to support him, and Rob’s shop returned to what it always had been – a slightly shambling collection of unusual, interesting and well-priced items. For most of its 32-year history, the Adelphi was a bookshop whose shelves were piled with the eclectic and the notable.

The Adelphi’s real problem was one that I see with many bookshops struggling to be noticed.

Like me, Rob grew up before the internet. Furthermore, to save money, the shop did not have a telephone line. In its early years before mobile phones, customers would leave a message on his home number, and wait for him to get in from work to answer. Later, Rob got a mobile. With no phone line, there was no internet. All Rob’s online cataloguing was done through a colleague.

Without full utilisation of the net, it wasn’t obvious how to get the word out to a wider audience that here was a place worth visiting. How many more bookshops, I wonder, are tucked away like this, with a tiny digital footprint?

As well as a committed and engaged – but dwindling – band of dedicated customers, comprising bookdealers, collectors, bibliophiles and bibliomaniacs, the shop also relied on passing trade. In an era in which many people are losing the habit of visiting physical stores, Rob still made a modest living.

And that is an achievement, especially if you set these adverse trading conditions against the backdrop of Portsmouth, which is a poor town comparative to its neighbours, where finding wealthy clients can be a struggle.

This shop, then, was at the budget end of the trade. Yet Rob lived on its earnings for 32 years, providing excellent, friendly, honest and helpful service while offering an impressive selection of crime fiction and other books.

Images courtesy of Love Southsea www.lovesouthsea.co.uk

What really did for the shop is that Southsea, the seaside suburb of Portsmouth, and especially Albert Road has started to rise in value. A few years ago, hipster bars replaced many of the traditional pubs, and there is a constant through-flow of students on nights out, spending their overdrafts on forgetting how much overdraft they have spent. Shop rents have thus increased to reflect this inflow of money. In the last rent review, Rob saw an increase of nearly double, from £5250 per annum to £10,000. It was tight for Rob before, but this hike made it impossible for him to earn a living.

After a long fight, Rob closed his doors on Sunday 19th January. In the end, he gave away a large proportion of his stock, because the pressure was on to vacate. All Rob asked for was a donation to charity or “whatever you want to give me.”

It was a heartbreaking moment, and Rob was emotional. I wish I could have done something for him, or had thought to put out an appeal. I just didn’t know what to do.

Adelphi Books wasn’t a spectacular shop, but it was always an interesting one. For someone like me who also makes his living from books, I salute its memory. I am sure there are many other independents in exactly the same predicament that Adelphi Books and The Petersfield Bookshop found themselves in – backs to the wall, overheads spiralling, customer base declining.

If we don’t want to suffer losing more of these islands of individuality to the faceless sameness of e-commerce, we need to do more to support them.

An international day celebrating the uniqueness, eccentricity and sheer vibrancy of bookdealers and of independent retailers generally – these pockets of resistance to corporate uniformity and the sensory-deprived blandness of the online experience – would be a start. How to go about it, I’m not sure. But it’s needed.

For now, let’s remember Adelphi Books and the many other bookshops that have closed in the last ten years. When you are next thinking of buying something, spare a thought for the individuals who run local shops – these ordinary and not-so-ordinary people who have consciously decided to step away from the relative safety of the corporate environment to go it alone.

They are members of the local community, and they are, in many ways, an endangered tribe.

Help them, if you can.

Buy a book or two – or whatever it may be – from your local independent.

They will thank you for it. What’s more, you will make your town a less identikit kind of a place – and the world a less predictably corporate one, too!

Restoration of A Study In Scarlet cover for upcoming Facsimile Edition

A Study In Scarlet, Beeton’s Christmas Annual, restored cover.

Having looked at various versions of the original, rare Study In Scarlet by Arthur Conan Doyle, that first appeared in Beeton’s Christmas Annual, 1887, I have created this restoration of the original artwork.

I was working from this out-of-copyright image:

Original, faded and yellowed A Study In Scarlet cover.

I’ve stripped away the ageing which darkened the paper of the covers and put the whites back in. Suddenly the design makes complete sense. The white around the “BEETON’S CHRISTMAS ANNUAL” is of course a layer of snow on the letters. The white behind the main title makes the words jump out.

One of the things I really enjoy about the Victorian era is this lovely clear design ethos, that really is eyecatching.

While I was working on this, my heart quickened with excitement as I suddenly “got” the design. Great stuff from those wonderful Victorian designers!

Day of the Dead book ready to order!

 It’s here at last! – The Day of the Dead, from Portsmouth Writers’ Hub.

 

The Day of the Dead includes macabre, ghastly and chilling tales – all dealing with the subject of death, from writers connected with The Portsmouth Writers’ Hub. 28 strange and ghastly stories are brought to you by 20 writers, including experienced hands at crafting a spinechiller, as well as relative newcomers.

Established novelists such as William Sutton, Diana Bretherick and V H Leslie, rub shoulders with shining new talents, respected short story writers including A J Noon, Justin MacCormack, Jacqui Pack, S J Butler, Glenda Cooper, Sue Shipp, Tom Pinnock and many others.

The book is all about Death – but don’t think that it’s only a collection of dark tales. Magical stories of ghostly visitors mingle with comic tales of neighbourhood watching and cannibalism. Zombies are employed in one story to help claim an inheritance, while another is a broad comedy about a Victorian murder.

Shudder, weep, laugh… and enjoy – the authors of Day of the Dead invite you to join their celebration of all things mortal – before it’s too late.

Day of the Dead – call for story submissions

dayofdead2As part of the celebration of all things macabre and strange, Life is Amazing is teaming up with Will Sutton to celebrate the third year of his Square Tower (or should that be the Scare Tower?) event The Day of the Dead.

At this year’s Day of the Dead III readers will perform their stories that they have submitted to Will Sutton.

At Life Is Amazing, we will also be launching a separate collection of tales macabre, mysterious, dark and deadly. They will be drawn from some of the amazing performers who will appear at this event, and have appeared at previous events.

If you want your story / stories to be considered for The Day of the Dead book – you are invited to submit your story to our editor, Tessa Ditner.

Will Sutton is organising the Day of the Dead event, where pieces performed at the Square Tower will be up to 7 minutes long, that is, 1,000 words.

The book, however, will also contain longer pieces of up to 5,000 words.

If you have a scary story you think should be out there, dust it off and send it to Tessa on the following email address:

culturekiddo@gmail.com

Please give the subject line as DAY OF THE DEAD.

We are on a short deadline, with all stories for consideration for the book to come in before 28th July 2015. So send in your story.

How it will work

The book is not primarily a money-making exercise, but one in which authors will have the opportunity to be published in printed format, adding this to their portfolio. Whilst your story or stories won’t make you rich, you will get a cut of the profit from book sales.

You will assign to Life Is Amazing the first world anthology rights.  This means that you will retain all other copyright, and that Life Is Amazing will not be able to use your story elsewhere without signing a further agreement. You will also be able to offer your story elsewhere, and include it in other collections, should you so choose.

All we ask is that the story you submit for the book has not been published elsewhere first.

Each author will receive a share of profits from the Day of the Dead book on a pro-rata basis depending on the length of their story or stories in comparison with the overall length of the book.

The publisher will take a 50% cut of profits in order to cover the costs of design, distribution and marketing.

Each author will receive one free copy of the book, and royalty payments for sales will be made once a year.